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One of the most common questions I get from new authors is whether using a prologue is a good choice for a particular novel. The short answer is that it depends, but probably not.

That’s not to say that prologues can’t be good; actually, some of my favorite books have prologues, and some even benefit from them. However, I usually steer authors — especially new and upcoming authors — away from using prologues, because generally they don’t add anything to the story that the reader will appreciate. I suspect the main reason why prologues are so attractive is that many of the best books out there, the ones that shaped our perception of good stories, use prologues. Some of them even benefited from it.

Unfortunately, prologues have a reputation as extended infodumps, and because of that most readers will normally skip over a prologue. Thanks to that, a prologue typically serves as a bad introduction to your story. There are, however, some ways to judge whether your prologue can stand on its own.

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I do not typically enjoy horror stories.

It’s been that way for a long time. Movies and novels alike; I just haven’t enjoyed horror. I don’t edit it either, because I don’t understand it well enough as a genre to give someone an acceptable return on their money. To edit something properly, you have to understand its context and audience; and to do that, you have to enjoy stories like it. Never go to someone who doesn’t enjoy your kind of story.

Oh, I’ve enjoyed an occasional entry in the genre, most notably Dan Wells’ I Am Not a Serial Killer (which was made into a very good low-budget movie, which can be enjoyed on its own even though the book is better); and I greatly appreciated the explanation of horror that Steve Diamond gave way back at the start of the WriterDojo podcast (in their thirteenth episode, appropriately enough). But overall the genre just didn’t speak to me.

Which means, despite getting to know Steve Diamond (online and for a brief meeting in person), I have had absolutely no interest in reading his debut novel, Residue, because it’s primarily supernatural horror. Now, though, after many years, I finally felt like I owed it to him to at least try the book. So when the book was re-released with an audio edition, I bought it and started listening.

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Unless you’re so far under a rock that you’re not even reading this blog in the first place, you’ve heard that a double strike of writers and actors has resulted in the effective shutdown of the movie and TV industry in the United States. This of course affects more than just writers and actors, as well as more than just US citizens; lots of people other than actors and writers work in these industries, and a staggering number of people will be indirectly affected by the lack of production in the meantime. (For an idea of how interconnected everything is, I suggest reading the famous essay, “I, Pencil.”)

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Over the years, I’ve found myself repeating a few phrases over and over to authors of all levels, including clients, students, and lecture attendees. I eventually started calling them my maxims, and it’s high time I laid them out on my own site. After all, much of the reason for my blog updates is to give me a handy place to put stuff I already repeat a lot, so I can just link people to the post and save time in the future.

Today, it’s Writing is an art, not a science. Kind of obvious, since we call it a creative art rather than a scientific field, but it’s good to really think about what that means — especially authors worried about learning how to “do it right” or violating some kind of rule.

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Just a quick little announcement at the request of a friend.

Years ago, Steve Diamond decided to pitch a special edition product to his friend (and now podcast co-host and coauthor), Larry Correia. Larry has a particularly awesome series, which currently consists of a trilogy and some short stories, known as The Grimnoir Chronicles. The elevator pitch for that one is X-Men set in an alternate history 1930s. It’s historical fantasy where the magic operates like superpowers, with everyone who has magic having an innate ability for one particular kind of magic (though you find out that limitation isn’t all it appears to be). It’s an absolutely fantastic story in a high-action noir setting with an unforgettable cast of characters.

Well, Steve wanted to publish a special-edition, limited run version of the trilogy. He sourced extremely high-quality paper, got some awesome covers from the European editions not released in the US, and even got fancy cases to protect each novel. I even had a minor hand in helping to confirm the Japanese lettering was accurate, because I was working a few blocks from the Japanese consulate in DC at the time (which means that if there’s a problem with it after all, it’s my fault, not Steve’s).

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I got wiped out by illness last week, but a large number of you wanted another post on ChatGPT, specifically on the ‘idea winnowing’ I mentioned in my last post. (And if you missed the first post, explaining what ChatGPT is and how it works, click this shiny and well-crafted link.)


Just to recap: you’ll see a lot of people referencing ChatGPT as a tool for idea generation. That’s using it the wrong way. Ideas are a dime a dozen. You already have too many of them buzzing around your head; that’s why you feel like you can’t come up with anything, because nothing is standing out. Instead, ChatGPT can be used to winnow that mess down to something manageable.

We do this just as we would without ChatGPT: by focusing on some sort of starting point. That can be something generic, or even starting by rejecting something specific — or both. Try phrasing something as “I want X, but not Y.” For example, “I want a genius scientist character, but I don’t want someone socially inept.” If you were bouncing that off of a friend, he or she might say, “Like Tony Stark?” which then gives you an opportunity to narrow it down, such as by saying “Yes, but not arrogant. Charming, but not full of himself” or maybe “No, more like someone Robin Williams might have played. A joker who doesn’t seem to take things seriously, but actually does.” That’s how idea winnowing works. Like putting together a puzzle, you start with an edge and then explore around to find pieces that can fit.

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Congratulations, you’re published! But how can you get your books on shelves where people can see them?

Maybe you lucked out and got published with a house that has a distributor agreement; but that’s not going to get you in all stores or libraries, especially if the person in charge of ordering doesn’t know you exist. They don’t order three copies of everything, after all — or even just one. So is it worth it to talk to stores and libraries?

The short version is, yes, it is. The worst they can do is say no.

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Last time, I covered what ChatGPT is, what it isn’t, and some things to keep in mind if you choose to use it to help your fiction. Now we’re going to get into how to use it, or other machine learning programs, to aid your fiction. Though, first, I’m going to try to underscore some of the caution I tried to instill in the last post: do not mistake ChatGPT for an unbiased assistant, talking encyclopedia, or genius author.


ChatGPT is Your Tool, Not Your Coauthor

As I said last time, ChatGPT is a particular tool. On his WriterDojo podcast, Larry Correia frequently describes elements of writing as “another tool in your toolbox,” meaning that you don’t have one tool for all jobs, and not all jobs require all of your tools. It also means you should put in the effort to understand the contents of your toolbox; you can technically split a log with a hammer, but that doesn’t make it a saw.

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Review: Jedi Fallen Order

I’ve talked about games plenty of times on this blog, but I don’t think I’ve ever done a game review. You may have seen the ads for Jedi: Survivor lately, as it’s getting a big push and is highly anticipated by fans, so I thought it makes for a good opportunity to talk about the storytelling power of video games using the original, Jedi: Fallen Order.

Please keep in mind that there will be spoilers in this post. I’ll put up a giant spoiler graphic when we get there so you can’t say I didn’t warn you.


Video Games as Storytelling

Video games occupy several different entertainment niches in our society today, but I want to talk about one in particular: video games as interactive movies. Much like how we often saw Star Trek characters on the holodeck playing parts in a fictional story — either a set story like a Shakespeare play or a choose-your-own-adventure tale — video games are increasingly providing a storytelling experience where, even if there’s really only one scripted outcome, it still takes effort to get there. As a kid, I never understood the appeal of going into the holodeck on the Enterprise to act out a solo performance of Shakespeare for the sake of Shakespeare, but in the last few years video games have been making me take another look. Yeah, it’s a linear story, but it becomes your story as you play. Your actions make it happen. There’s a certain primal joy in that which goes beyond the thrill of completing challenges or defeating enemies.

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These days, using AI for anything can be controversial, but even more so for creative endeavors. Is it laziness? Will it ruin your book? Is AI going to reduce human artistry to the level of cottage industry?

At the risk of spoilers, I’m not anti-use-of-AI for your writing, but it is a complicated topic that will require multiple blog posts. For now, to figure out if ChatGPT is useful or not, we first have to define what it is, what it is not, and what legal challenges there might be in using AI-generated content.

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