Tag Archive: David Eddings


One of the most common questions I get from new authors is whether using a prologue is a good choice for a particular novel. The short answer is that it depends, but probably not.

That’s not to say that prologues can’t be good; actually, some of my favorite books have prologues, and some even benefit from them. However, I usually steer authors — especially new and upcoming authors — away from using prologues, because generally they don’t add anything to the story that the reader will appreciate. I suspect the main reason why prologues are so attractive is that many of the best books out there, the ones that shaped our perception of good stories, use prologues. Some of them even benefited from it.

Unfortunately, prologues have a reputation as extended infodumps, and because of that most readers will normally skip over a prologue. Thanks to that, a prologue typically serves as a bad introduction to your story. There are, however, some ways to judge whether your prologue can stand on its own.

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Son of the Black Sword 1A few weeks ago, I finished Son of the Black Sword, the latest book from Larry Correia. I’ve been delaying on writing blog posts, so this review isn’t the only one on my to-do list; but the thing is, if you like fantasy that’s a little bit different, you need to read this book. You’ll thank both me and Larry later.

Son of the Black Sword is the first in a new series for Correia. It’s also marketed as the first in a new genre; that’s not really true, since he’s been writing Iron Kingdoms tie-ins, but when it comes to his original fiction he’s known as an urban fantasy writer. He’s most famous for his bestselling Monster Hunter series, a contemporary story about a group of contractors whose job it is to hunt and kill the monsters humanity would rather pretend don’t exist. Second to that (and my personal favorite) is his Grimnoir Chronicles, an epic-scale alternate history/fantasy set in an alternate Great Depression where magic exists and the West is in a cold war with Imperial Japan. (Also, there are airships and Tesla superweapons.)

Compared against that, Son of the Black Sword is definitely something different — and not just because there isn’t a single gun to be found. It’s an epic fantasy, of the sort that might normally be described as “traditional fantasy” until you read through the first chapter. Son of the Black Sword is set in a world that heavily draws on South and East Asian concepts, in terms of society, politics, philosophy, and even the fantasy itself. But that’s all mere backdrop, however well-painted, supporting a story with three major twists, five minor twists, and a story where you’re not sure quite what’s going on but you’re hungry, starving for more.

This is epic fantasy at its finest. My favorite epic fantasy remains David Eddings’ The Belgariad and The Malloreon, despite such personages as Brandon Sanderson redefining and expanding the genre. Larry Correia is now approaching a rival for Sanderson, and after this start I would not be surprised if he starts rivaling Eddings for me on pure enjoyment.

Spoiler Warning

As you might expect, minor spoilers ahead. Only minor ones, though, so if you want to read more you should be safe.  Continue reading

swearing-at-workWe do it a lot. Of course, we might call it different things. Profanity, swearing, cursing, cussing . . . yeah, we do it a lot.

Of course, not everyone does it to the same degree, or with the same words. Sometimes that can be amusing, at least in certain contexts. A common Australian word for a cigarette, for example, is the same word as an insult for a homosexual in the US. In the UK, a very common swear word (though less severe these days than a few decades ago) simply means to have the quality of blood in the US and Canada. And that’s where everyone speaks the same language.

Swearing serves an important function, and the fact that we all do it to some degree or another means our characters probably should as well; but when should we do it, how much, and why? Continue reading

Coauthored Books

CO_Authoer-ImageA lot of fans have dreams. Meeting their favorite author. Getting sneak peeks at an anticipated book. Getting two favorite authors to team up — oh, yeah, that’s one that will get people excited.

But that brings up a can of worms that might not be obvious at first look. Who’s ultimately in charge? If there are disagreements, how do they get resolved? Whose name comes first on the cover? If it’s not a 50/50 royalty split, why? And how is that determined?

This is something that shows up a lot in academia, because whomever shows up first in the list of authors has pride of place (unless possibly, but still often the case when, it’s just determined by alphabetical order). In a multi-author academic paper, the first name is not always given to the one who did the most work, but rather the one who will get the most notice and bring the most credibility to the findings. The last person on the list might well have been the one who did the lion’s share, but the first name usually gets most of the credit.

Unfair? Well, there’s a reason for this arrangement.  Continue reading