No, that’s not all one topic (though it sounds like it would make an interesting discussion). I’m just giving you an update on some things over at my other site that you might be interested in. Continue reading
Category: Recommended Reading
Prince Raoden of Arelon awoke early that morning, completely unaware that he had been damned for all eternity.
These are the opening words to one of the best novels ever written: Elantris, by Brandon Sanderson. I first read it in 2011, barely more than a year into my career as an editor. It immediately became one of my favorites, if not my most favorite novel ever.
It had been sitting on my shelf for years, though, waiting to be read. The problem was that the paperback copy doesn’t tell you what the story is about, and so I never knew if I was in the mood for it. My reading list is so long, and I stopped counting at a hundred, that I kept deciding to try something else. This is after reading both Mistborn and The Way of Kings. I’d heard good things, but not knowing what to expect kept making me pick something else.
Well, now it’s the only novel I’ve ever considered worth getting in a collector’s quality leatherbound edition. And not to give you a clickbait kind of hook, but what Brandon Sanderson put on the personalization inside made me tear up.
Considering how I feel about this book, I should have done a review on it years ago. I even said on this blog that it deserves its own review. For some reason, I kept putting it off. Maybe it’s just that I didn’t know if I could do it justice. I’m glad I didn’t, though. If I had, then I couldn’t have given my readers this story. Continue reading
A few weeks ago, I finished Son of the Black Sword, the latest book from Larry Correia. I’ve been delaying on writing blog posts, so this review isn’t the only one on my to-do list; but the thing is, if you like fantasy that’s a little bit different, you need to read this book. You’ll thank both me and Larry later.
Son of the Black Sword is the first in a new series for Correia. It’s also marketed as the first in a new genre; that’s not really true, since he’s been writing Iron Kingdoms tie-ins, but when it comes to his original fiction he’s known as an urban fantasy writer. He’s most famous for his bestselling Monster Hunter series, a contemporary story about a group of contractors whose job it is to hunt and kill the monsters humanity would rather pretend don’t exist. Second to that (and my personal favorite) is his Grimnoir Chronicles, an epic-scale alternate history/fantasy set in an alternate Great Depression where magic exists and the West is in a cold war with Imperial Japan. (Also, there are airships and Tesla superweapons.)
Compared against that, Son of the Black Sword is definitely something different — and not just because there isn’t a single gun to be found. It’s an epic fantasy, of the sort that might normally be described as “traditional fantasy” until you read through the first chapter. Son of the Black Sword is set in a world that heavily draws on South and East Asian concepts, in terms of society, politics, philosophy, and even the fantasy itself. But that’s all mere backdrop, however well-painted, supporting a story with three major twists, five minor twists, and a story where you’re not sure quite what’s going on but you’re hungry, starving for more.
This is epic fantasy at its finest. My favorite epic fantasy remains David Eddings’ The Belgariad and The Malloreon, despite such personages as Brandon Sanderson redefining and expanding the genre. Larry Correia is now approaching a rival for Sanderson, and after this start I would not be surprised if he starts rivaling Eddings for me on pure enjoyment.
As you might expect, minor spoilers ahead. Only minor ones, though, so if you want to read more you should be safe. Continue reading
Whenever I talk characters and worldbuilding, at conventions or in classrooms, I always recommend several books. One of them actually isn’t a book at all, and it’s the only one that I mention in both contexts.
It’s a lecture series from The Teaching Company, titled Customs of the World: Using Cultural Intelligence to Adapt, Wherever You Are. This is intended to be a course on understanding world cultures, but it’s a vital resource for creating cultures in both fantasy and science fiction. It’s also a great secondary resource for creating different personalities between characters.
As of this post, it is currently on sale at The Teaching Company’s website, starting at $35 for an audio download. I cannot recommend it too highly. You should all go get it now. If, however, you’re reading this after the sale has ended, I’ll explain why it’s worth getting. Continue reading
There are books on my shelf written by a man with two names. Those names are David Wolverton and David Farland. Why he publishes under two names is irrelevant to this post. What is relevant are these facts:
- He’s good.
- He’s entertaining.
- He’s an excellent teacher.
- His son is currently in the hospital, fighting for his life.
Yeah. Heartstrings are tugging. Continue reading
G. K. Chesterton was a British journalist and author living in the late 19th and early 20th centuries. He wrote on nearly every topic there was to be discussed at the time, and naturally that includes literature. In fact, it’s widely agreed that his critiques of Charles Dickins’ books were a key part of the latter’s success, and Chesterton went on to have strong influence on both Tolkien and Lewis. Continue reading