Category: History


When I was a child, about 11 or 12, I was unfortunately subjected to a purported film known by the alias Brother Sun, Sister Moon, which claims to be a retelling of the life of St. Francis of Assisi. I’ve encountered more historical accuracy from 20-minute children’s cartoons, and I knew hardly anything about the history of the medieval Catholic Church at the time, so that’s saying something. (Though I should add that I was living in Italy at the time, not that far from Assisi, and St. Francis was and probably still is very popular there.)

The film was pretty much a retelling with a focus on a message more appropriate to the 1960s than the 13th century. Seriously, there are so many details it got wrong, and I doubt by sincere error, that any time I’m reminded of it I get a migraine. But today I shall embrace that pain, because one error in particular stands out as an example of today’s topic.

As a young man, St. Francis participated in a battle where he was captured and had a life-altering spiritual awakening. This is depicted in the film in such a way that I suspect the director intended the audience to be on drugs, but it’s accurate in broad strokes . . . very broad strokes. Yet even as a pre-teen, the armor the young Francesco wore drove me to distraction. It’s not just that it’s not accurate 12th-century Italian armor; at that age, I couldn’t have told you what was accurate, after all. It was that I immediately saw it was inaccurate because of the human factor.

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Unless you’re so far under a rock that you’re not even reading this blog in the first place, you’ve heard that a double strike of writers and actors has resulted in the effective shutdown of the movie and TV industry in the United States. This of course affects more than just writers and actors, as well as more than just US citizens; lots of people other than actors and writers work in these industries, and a staggering number of people will be indirectly affected by the lack of production in the meantime. (For an idea of how interconnected everything is, I suggest reading the famous essay, “I, Pencil.”)

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Longtime readers of this blog (not to mention those who know me on other forms of social media) are no doubt aware of my addiction to learning new stuff. Well, okay, maybe not any new things; I tend to stay away from celebrity gossip, sportsball statistics (to the endless disappointment of my lovely wife), and reality contest shows that don’t involve Gordon Ramsey.

But if there’s a book that combines science, technology, history, and writing prompts, I’m all over it. That’s at the top of my reading list. There’s no way I’d buy the book on a sale and then let it languish in my to-read pile for five years.

. . . okay, that’s what actually happened with The Knowledge. And yet, before I finished it, it was already one of my favorite books of all time, and at the top of my list of recommendations for anyone writing SF&F — and possibly even as a textbook in certain high school or higher education classes. It’s the best single source for teaching the history of science and technology I’ve ever seen, and it does so from the engaging and entertaining perspective of “Civilization has collapsed; what now?”

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