Note: I was asked to write a review of 1635: The Papal Stakes. I decided to do a separate post to provide context for those who don’t know what the series is about.
My friend and sometime employer Regina Doman, who owns the small publisher Chesterton Press, is extremely picky about the covers of the books she publishes. I’m not quite as picky, but there’s good reason to pay attention because it’s often the first thing that a potential reader will see. It gives a sense of the adventure you’ll find inside; or perhaps it’ll make you curious about the symbols or people shown there; or, sometimes, there will be something so incredibly grabbing about it that you’ll pick the book up and say “That had better be in here!”
Many years ago, I was browsing the Baen Books catalog of upcoming releases when I spotted the latter kind. Rather than describing anything else first, let me just show it to you:

To quote my friend Andy after seeing this for the first time: “Wh-wh-whaaaaaaaaaaaaa?”
This is 1632, by Eric Flint, first book in the Ring of Fire series (originally The Assiti Shards, and now more commonly known as just the 1632 series). This impossible scene doesn’t quite happen in the book, but it comes close. Yes, those are modern Americans with modern guns. Yes, those are 17th-century soldiers with 17th-century guns and armor. No, those 17th-century guys don’t know what they’re getting into. Continue reading →
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Why I’m No Longer Recommending Tuscany Press to Authors
EDIT: Since posting this yesterday, several people have privately told me of more issues with Tuscany Press. Some of it has been anecdotal, but others have been verifiable; and it all adds up to an unpleasant picture. The editor-in-chief at Tuscany has told me that the essay I fisked in the following post is opinion and should not be construed as Tuscany’s stance, but he did not address the issue that it was approved by Tuscany despite being obviously wrong. I may do an update on this issue soon.
ANOTHER EDIT: I’ve posted an update on this situation here.
Tuscany Press has been my go-to publishing house to recommend to fellow Catholic authors. I’m associated with Chesterton Press, a smaller indie Catholic Press (my Novel Ninja business is separate and not exclusive to Catholic fiction), but Tuscany is a larger operation and can handle more submissions at a time. However, I’m no longer recommending them, due to a recent post on their subsidiary, CatholicFiction.Net, on why science fiction is evil. Continue reading →
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