Category: Writing Tips


As I said in my review of Shanna Swendson’s Enchanted series, I wound up with a lot more to say that was really appropriate for a review. Like many of my posts, it’s a long one, clocking in at over three thousand words, but it’s aimed more at writers than all readers. And, I promise: spoiler free! (Well, except for the romance angle.)

So, without further ado, here’s my analysis of this new favorite series.  Continue reading

I managed to find a little time this weekend to watch the first (and currently only) three episodes of the new show Agent Carter. I’ve been looking forward to this one for three reasons. 1) It stars Hayley Atwell as a gender-flipped James Bond figure. 2) It’s a 1940s period drama, and as both of my parents are WWII-era enthusiasts, I’ve picked up some of that myself. 3) It’s a Cold War spy thriller.

I was not disappointed . . . well, in that regard. All three were basically what I was looking for, with enough extra twists to keep me surprised on all fronts. I didn’t need the Marvel Comics tie-ins to enjoy the show, though they helped with the suspension of disbelief when it came to the occasional anachronistic piece of tech. They even managed to deflect a bit of the Reed Richards is Useless trope by implying that the Stark family tends to have trouble inventing devices that are actually appropriate for civilian use, in a bit of a “go big or go home” vibe. That is, Howard Stark’s inventions don’t ever fail, they just turn out to be unexpectedly strong.

What I was disappointed with, however, was the same thing that is apparently driving male audiences away, though not to the same degree.

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Science fiction authors have a tough job.

There have been a bunch of breakthroughs lately in different tech sectors. These range from coding improvements to new technology that interfaces with the human body, to stuff that many people thought outright impossible. Sometimes it’s mind-boggling. Other times it’s happening so slowly that you have to really step back and realize how different things have become.

My friend Lori took some time to introduce me to some of her favorite westerns the other night. In a scene in Shane when the characters (several homesteaders, plus the titular Shane who is helping them out) stop at a general store, the female lead (Marion Starett) pauses to examine a Mason jar in wonder. “My, my, my,” she says. “What will they think of next?”

Well, contemporary audiences no doubt got a kick out of that one, separated from Marion by almost a hundred years of technological development. The telephone, the phonograph, the automobile, the airplane, the rocket, the computer, cinema and television — all these were in her future, and in their past, in their present. The answer to her question was long, complicated, and unbelievable to her contemporaries.  Continue reading

Yep, I’ve been away for a while. I had some personal-life things to take care of. Nope, I’m not going to describe them here, because they don’t have to do with writing or fun stuff. This ain’t no LiveJournal or MySpace here, bub! (Aaaaand I just dated myself. Moving on.)

I was going to make my first post back be a book review, but instead I decided to get off my duff and start the worldbuilding series I’ve been meaning to do for months now. The reason is that two parts of my life have converged on the same topic very recently. The first is that my workshop at Christendom College has restarted; the second is that I play World of Warcraft on the side.

What’s the relevancy? you might ask, and rightly so. Warcraft players might be able to guess, of course, but I’ll address the workshop angle first. Most of my students are interested in writing fantasy, which is a happy coincidence for me as I fully expected the opposite even though all evidence of youthful interest in fiction backs it up. (Just glance through the Teen Fiction section at your local bookstore, or see what the most popular movies are among the teens-and-twenties demographic.) I tailor my workshop lectures to my audience’s interests, and when I mentioned I could do some lectures on worldbuilding, there was much rejoicing.

One of the things many people overlook when worldbuilding, however, is economics. That doesn’t mean Wall Street and esoteric ideas of bull and bear markets or how one makes money using other people’s money. No, I mean taking into consideration what is valuable to a different society, what constitutes that level of value, how you represent and trade that value, and how you go about creating value.

Oh, dear. I did promise non-technical, didn’t I? It’s right there in the post’s title. I guess I need to live up to that! Continue reading

AuthorEarnings.com has come out with a new Amazon earnings report, and the trends are eye-opening. As they say, it’ll be fascinating to see this go through a full year’s cycle — though at that point I’ll want to see multiple years, because I’m the kind of guy who actually likes charts and stuff. (Oh, and information is good too.)

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I have several writing axioms that I keep repeating to people. Even editors need editors; real life doesn’t need to make sense, fiction does; writing is an art, not a science.  Continue reading

The Reason for the Silence

So, another long period of no posts? Oh, I’ve been around. You just can’t see me . . .

Actually, a large part of the reason has been that I got an offer on a full-time job that has morphed from being simply a managing editor for a new journal to . . . well, a lot more. My skills as an editor are a large part of it, but my new company is also interested in using me in other ways. It’s really very exciting. I won’t be working with fiction, but it’s really surprising how many ways my creative writing experience is helping to move their project forward.

So what does that mean for this blog, and the Novel Ninja Freelance Editing business? Well, the blog is still going to continue, and I’m still going to accept manuscripts. Odds are, though, that I’m going to be even more picky about what I take on. The new job will mean that I won’t depend on income from NNFE, but I still want to continue with my passion for stories.  Continue reading

As I noted before, AwesomeCon is much bigger this year. I forgot my camera and didn’t want to just use my phone, so I’ll take pictures tomorrow; but I found myself looking around the dealer hall in disbelief. That room alone would convince anyone who didn’t know better that this was an established con, and not something in its second year. The staff and other volunteers were doing a top-notch job, and the convention center staff were extremely helpful to everyone.

Also, I was amused to hear one of the screens playing “Everything is Awesome” (from The LEGO Movie) on continuous loop in the library. Despite its ultimate meaning in the movie, I was still appreciative! Continue reading

Fooling the Audience

Normally I ignore April Fools’ Day, but it occurred to me that it would be thematically appropriate to talk about a valuable writing skill: hiding things from your audience.

“Wait, what? Hiding things? That doesn’t sound like a good idea! The whole point of writing is to tell them things!”

Exactly! But you don’t just tell them the end first, do you? You build up to it, with clues that set up the twists, but then hide those clues so that it’s still a surprise to all but the most eagle-eyed.

I feel I should issue a warning, though. Learning these concepts can lead some people to feel that all stories are ruined forever. If you’re just here for the reviews, don’t read any further. Personally, I find it enjoyable to spot the tricks, especially with a skilled author; it doesn’t ruin it any more than knowing how to spot individual brush strokes will ruin a masterful painting. Still, I’ve seen people become disappointed, and so I give you fair notice.  Continue reading

Don’t Dump

One of the most common mistakes, even with professional storytellers, is to deliver a lot of exposition in a small space, or otherwise give “idiot lectures” where you have one character being a bit more dumb than usual simply so that a second character will have to explain something to him (and therefore to the audience). This is often called infodumping, and it’s often hard to avoid — but the best authors watch out for it and work around it.

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