Tag Archive: On Fairy Stories


Interview with Steve Diamond

This blog gives my perspective as an editor, but for once I had the chance to get someone else’s perspective. This week, I was able to ask Steve Diamond, author of Residue and Parasite (among others I haven’t yet reviewed) about his writing career, the nature of horror, and some advice on rewrites.

For those who don’t know him as the popular writing podcast the WriterDojo, Steve Diamond is an accountant, a former professional reviewer and bookseller, publisher of special editions, brisket connoisseur, and sworn enemy of the eldritch selachimorphs that have lurked in the depths of the oceans for millions of years. In fact, he goes into the latter in the excellent early episode of the above-mentioned podcast, Season One, Episode Twelve, “Horror” — an episode quite relevant to today’s post! If you’ve never listened to it, go ahead. This post will still be here when you get back.

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Novel Ninja: How would you describe yourself as an author?

Steve Diamond: Man, that’s a tough one. I think I try to be an entertainer. I’m not that guy that agonizes over every sentence. I don’t think I’ll ever be the guy that people call “literary,” and that’s fine by me. My only goal is to entertain… to have loftier goals than that feels hyper selfish and prideful to me.

Now after the entertainment factor, I’d say I’m rather mercenary. I’ll write whatever I’m paid to write. Maybe that’s straight-up Lovecraftian fiction, a Winnie the Pooh story (thanks public domain!), giant robots, or even a spy-thriller. I’ll write whatever I’m asked (and paid) to write. The great thing about this method is that I get to write all sorts of different things, and that keeps my stories fresh. It also helps me practice, which I think shows in my fiction.

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This weekend marks a particular event which pilgrims from all over the world have been waiting for. It’s a highly-anticipated event every year, and tomorrow evening, as darkness gathers, groups of the faithful shall come together, united by one desire.

I speak, of course, of the Hugo Awards nominee announcement. Easter’s the next day. Also, Easter involves less shouting, though admittedly it’s associated with at least one dead body.

The Hugo controversy is a hot topic every single year, and it’s only gotten louder in the last several cycles thanks to the campaign known as Sad Puppies. In case you missed my explanation from earlier this week, here’s a shiny and well-crafted link. That post details what the Hugo Awards are, why they matter, and how the controversy started. Or rather, the current controversy. As I said in that previous post, I was voting in the Hugos years ago, before I ever heard of this Larry Correia guy. Disputes happened a lot. That’s okay; I’d actually get worried if everyone was happy about the nominees.

The current dispute over the Hugo Awards boils down to this: books should be judged on their own merits, and good writing rather than ideology should win out. Any push for a book based on its politics, or the politics of its author, is to be treated with suspicion or even outright rejection.

The most interesting thing about this dispute is that both sides are saying the same thing. Continue reading

Some years back, I implemented a new system for submissions. I never look at unsolicited manuscripts anymore; I simply get too many, even though no one (okay, few people) would confuse me for a publisher. I had to put in some form of winnowing process. Many freelancers and small presses require a nominal fee, since even a simple five-dollar payment encourages people to make certain their manuscript is in good order before “wasting” their money.

I wanted a different process, one where no one had to send me money if I wasn’t going to definitely give them value in return. I also wanted to encourage writers to clean up certain common mistakes that I kept seeing over and over. (And over, and over . . .) They all had to do with structure.  Continue reading

23500493Recently, I gave you all a review of Shanna Swendson’s Enchanted series, an urban fantasy romance set in a version of New York where wizards, fairies, gnomes, and elves live among unsuspecting humans, hidden by magical illusions, with lives both astonishingly similar and predictably different from reality. My future co-author Elizabeth Hajek has given her own enthusiastic verdict on the series, and I should note she hadn’t even finished the sixth book before deciding to endorse it.

Well, while I waited for Swendson to publish the next book in the series, I decided to take a look at what is currently the only book in a separate series written by her, titled simply A Fairy Tale. This is similar to Enchanted because it takes place in New York, it’s a fantasy, it’s women’s fiction with significant cross-gender appeal, and it’s very good. It’s different because it’s adventure rather than romance; it’s urban fantasy only in that some of it takes place in New York; and it’s not as light and humorous as Katie’s adventures with Magic, Spells, and Illusions, Inc.

It’s also one of the best examples I’ve found so far of adapting British fairy folk tales to the modern fantasy genre that is their direct descendant. If you like your fairies to be less like Walt Disney’s Tinkerbell and more like Jim Butcher’s Queen Mab, you’ll be right at home.  Continue reading

Readers of the blog know I like Lego. It’s a great toy, arguably the best single toy investment you can make for a child. Unlike a video game, its operating system doesn’t go obsolete in three years; every Lego brick you buy today is compatible with the same company’s products going back decades — and they’re not going to change that in the future. It rewards creativity, teaches spacial and structural awareness, and can be combined in so many different ways that you can never say you’ve beat the game.

And then, as an adult, you can stick with it and turn it into a genuine art form. Years of experience, an adult’s funding and patience, and that little kid inside of you that still shouts “THIS IS SO COOL!” — all joining together to show kids that art can be fun, and their fun can be true art.

Well, there’s a movie out this weekend that’s based on the toy. I got to see the press screening last weekend with Wamalug (the Washington Metropolitan Area LEGO Users Group), so I’m here to give you my review. Continue reading