Tag Archive: Werewolf


Butcher’s Got Game

Filed under: Plugs and Promotions, Reviews — 2 Comments
May 28, 2014

download (1)I keep getting side-tracked when it comes to making blog posts. The new job, plus finishing contracts on the old one, is taking up a lot of time. However, I had to write up a review of Skin Game by Jim Butcher, the latest Dresden Files novel.

If you don’t know what The Dresden Files is (or if you only know it from the failed TV show that bares little in common with the books), here it is in a nutshell. Harry Dresden is a wizard. A professional wizard. The only professional wizard in Chicago, to be exact. He’s even in the phone book. He’s a card-carrying member of the White Council, the semi-secret (mainly because normal people don’t believe they exist rather than because they try to hide) semi-government of mortal magic users. They also, to some degree, protect mortals from supernatural threats: vampires, demons, warlocks, werewolves, faeries, and other things that go bump in the night. And, in Harry’s case, they try to pay the rent while doing it.  Continue reading →

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Write or Wrong? Soulless, by Gail Carriger

Filed under: Characters, Wordsmithing, Worldbuilding, Writing Tips — Leave a comment
April 16, 2013

Four things you can learn about writing from Soulless:

  1. Regency/Victorian stylings. If you want the feel of 19th century England, it’s obvious where to go: Jane Austen, Charles Dickens, and other authors who lived in that period. Sometimes, though, it’s refreshing to look at someone taking that period and messing around with it, allowing you to see what’s essential and what isn’t. If inserting vampires, werewolves, and ghosts into everyday Victorian society isn’t “messing around with it,” I don’t know what is. 
  2. Sexual humor without vulgarity. It’s a fine line between joking about sex and being crude. There is a lot of sexual humor in this book, but it is funniest when couched in Victorian speech patterns and indirect phrasing. See what you find funniest, and ask yourself why.
  3. Floating perspective. There’s a reason why floating perspective is frowned on in modern fiction: it can get hard to keep track of which person you’re supposed to identify with. It works in Soulless mainly because the literature of the real-life period did it; but to make it work, you have to avoid getting too deep into one character’s perspective before shifting into another’s. Pay attention to where the POV shifts in the middle of a scene, and why Carriger keeps it from being jarring.
  4. Avoid infodumping. Read the first chapter and identify the information that is just placed there before it’s truly needed. Compare this to other parts of the book where information is not given so quickly. How would you rewrite the first chapter to give a steadier, more gentle flow for information? 
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A Completely Soulless Experience

Filed under: Fantasy, Historical, Reviews, Science Fiction — Leave a comment
April 15, 2013

My friend, sister (well, by mutual agreement; who says you can’t pick your family?), and future co-author (next year) Elizabeth, of the more-popular-than-mine blogs Elenatintil and Confessions of a Seamstress, has been resisting one of my recommendations. Doctor Who? Check. X-Men? Check. David Eddings’ The Belgariad? Check. Firefly? Shiny! Girl Genius? SCIENCE!

But even as our other friends read more and more of The Dresden Files, she has steadfastly (if quietly) demurred. On Saturday, her latest response was “Maybe someday. But you have to read The Parasol Protectorate first.” Continue reading →

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