Every so often, I come across an author trying to use short sentences and paragraph-fragments. Sometimes this author is one of my clients, and therefore hasn’t had the benefit of a good line-editor yet, but sometimes this habit makes its way to print.
And what’s wrong with that? After all, we speak in short sentences in real life. We don’t use academic grammar that has us continuing for several lines in the same thought, sometimes separated into more manageable chunks using semicolons; no, when people speak normally, they speak in fragments, rather than continuing on and on like this sentence, as if commas were going out of style.
Well, like with any part of writing, it’s a matter of art rather than science. Contrary to particularly pedantic grammarians, there are a lot fewer rules to English than we teach in school. In fact, as I’ve described previously, a lot of those modern grammar rules came about because certain people were overly-enamored with Latin and Greek and objected to the idea that English had become streamlined. (As if lots of rules meant a language was somehow more dignified.) That includes stuff like “Bob and I” versus “Bob and me,” which not even the rules-conscious French language (well, the official French language; there’s an even greater difference between academic and colloquial French than with English, which is why the French look so pained when you try to speak their language) has found a problem with.
So the problem with short sentences isn’t that there’s some rule against them. It’s that, as with any art, it’s a good idea to know what your tools are used for. Continue reading
Novel Ninja 
You must be logged in to post a comment.