Tag Archive: Developmental Editing


Four Rules of Using AI

I am a big proponent of using AI to help speed up the grunt work of, well, any task; but this blog is about writing, so we’re going to talk about AI in writing. Specifically, I want to talk about four guiding principles that will help you use AI as an author with more effectiveness and without losing your voice.

But, since I am also a big proponent of establishing definitions, let’s look at what we’re actually talking about. What is AI, and what is an LLM?


Defining AI

This is an issue because there’s what’s actually AI, and there’s what’s marketed as AI. When AI began to be perceived as a magic button for customer involvement and investment, a lot of things we’ve already accepted as normal technology got redefined as “AI” so it could sound new and amazing. That includes simple things like Photoshop tools or Word’s grammar check.

That’s led to confusion with the way the Butlarian Jihad hunts down AI-using heretics. (If you don’t recognize the term, it’s from the Dune setting and references a movement to ban AI. It’s becoming the standard way to refer to the rabidly anti-AI crowd today.) When everything is AI, it’s really easy to justify cancelling someone for using it in a way that the Butlerians don’t like, or when they just don’t like the user. But that also means that it’s incredibly hard to escape AI, because these days everything is AI — or at least marketed as such.

So defining AI in a way that matters to normal people is important. Of course, most normal people would fall asleep just listening to a real definition of AI and LLMs. Allow me to demonstrate.

Continue reading →

ant-man-thor-poster-1In my review of Ant-Man, I mentioned how the movie couldn’t make up its mind as to whether it was a caper film or a superhero origin story. I laid out the reasons why those two types of stories are, if not incompatible, then at least problematic to mix together. I also mentioned I might do a post on how I might have adjusted the movie if, for some strange reason, they came asking for my advice.

So how would I have done the movie differently?

This is actually a more dangerous question than it might appear. I’m a prose editor. I’m a pretty good one. I’m also pretty good at analysis, developmental/structural rewriting, and closing plot holes. None of that means that I’m good at scriptwriting. Visual media is a very different ballgame. I know just enough about the differences to talk about them, and not enough to actually put them into practice. I’m a professional editor, but I’m an armchair amateur when it comes to script-doctoring. I know my limits and I’m not going to pretend that expertise in one form of fiction extends to another.

So, disclaimers aside, here’s my armchair amateur opinion about what I’d have done if I’d been asked to give a developmental edit (also called structural editing) on the film.

Spoiler Warning Continue reading →